[Måneskin] Thomas Raggi's equipment [Amps, guitars, effects]

The Gibson 50s Les Paul Standard features a maple top, a mahogany body without weight relief, and the rounded neck of the 50s, making it the perfect guitar for players looking for a classic Les Paul Standard.

Equipped with the highly acclaimed Burstbucker 1 (Neck) / Burstbucker 2 (Bridge) pickups, it faithfully reproduces the subtle nuances of your left hand, the dynamics of your picking, and delicate volume control—all aspects of your playing expression.
Instead of the circuit board seen in recent Gibsons, the hand-wired electrical system is equipped with Orange Drop capacitors!
It is packed with vintage-inspired details, such as keystone pegs, a wire-free ABR bridge, and an aluminum bridge and tailpiece.
The more you use it, the more it will fit your hand, and the more its old-fashioned feel will stand out, making it an exquisite piece!
(From Ishibashi Musical Instruments)

American Vintage II is a series that reproduces the revolutionary electric guitars and basses that changed the history of music with the utmost precision. Featuring body shapes, necks, hardware configurations, premium finishes, and pickups that are voiced by era and carefully crafted down to the last detail, this guitar is packed with the essence of genuine Fender craftsmanship and tone.

Just one year after introducing the Broadcaster®, Fender received a cease and desist order from Gretsch, which had previously released a product with the same name, forcing the company to change the name. Inspired by the rapid growth and mass adoption of television, the first Blackguard Telecaster® rolled off the production line in late 1, and the model has been in continuous production ever since. Simple and groundbreaking, the Telecaster was the first mass-produced solid-body electric guitar and has inspired countless musicians.

The American Vintage II 1951 Telecaster features an ash body with a Butterscotch Blonde finish, recreating the tone and feel of the original 1951 model. The 1951 "U"-shaped maple neck with a 21-radius fingerboard and 7.25 vintage tall frets evokes the playability of an instrument back in 1951. The 12th fret position inlays are slightly closer together and the Phillips head fastener is located at the truss rod nut, as manufactured in 1951. The three-brass saddle bridge, Fender Deluxe tuning machines and Pure Vintage '3 Telecaster pickups provide a classic, authentic twang.

American Vintage II is a series for players who love the tone and feel of vintage Fender guitars and basses that have made Fender's history, faithfully reproducing the guitars and basses that built the foundation of Fender. Guitars and basses that have made music history are revived with modern technology.

BODY

• Body MaterialAsh
• Body Finish Gloss Nitrocellulose Lacquer
• Body Shape Telecaster®

NECK

• Neck Material1-Piece Maple
• Neck Construction4-Bolt
• Neck Finish Gloss Nitrocellulose Lacquer
• Neck Shape1951 “U”
• Scale Length25.5″ (64.77 cm)
• Fingerboard MaterialMaple
• Fingerboard Radius7.25″ (184.1 mm)
• Number of Frets21
• Fret SizeVintage Tall
• Nut MaterialBone
• Nut Width1.650″ (42 mm)
• Position InlaysBlack Dot
• Side DotsBlack
• Truss RodVintage-Style Butt Adjust
• Truss Rod NutVintage-Style Butt Adjust

The J-1942 has played a central role in the Gibson round-shoulder lineup since its introduction in 45, supporting players with its excellent expressiveness, combining warm low-mid range and edgy high-mid range, and serving as a reliable partner at all times.

World-renowned for its balanced, rich expression, warm low end and excellent projection, the J-45 Standard takes the illustrious J-45 legend to even greater heights.

The combination of a Sitka spruce top and mahogany back and sides provides a wide dynamic range, warm midrange and tight, punchy lows.

Bodysuit

Body Shape Jumbo

Top Material Sitka Spruce

Back Material Mahogany

Side Material Mahogany

Bracing Traditional hand-scalloped X-bracing

Binding Multi-ply top, single-ply back

Finish Nitrocellulose

Neck

Neck Material Mahogany

Neck Profile Slim Taper

Scale Length 24.75″ / 62.865cm

Fingerboard Material: Rosewood

Fingerboard Radius 12″/304.8mm

Number of Frets 20

Frets Standard

Nut Material Black

Nut Width 1.725″ / 43.82mm

Inlays Mother-of-pearl dots

In Marshall's long history, there are many great machines, but the 1959, the origin of the 1959SLP, has produced many great performances and sounds, including Edward Van Halen's Brown sound. The pre-circuit, which provides a solid distortion that is hard to believe was only released in the late 60s, continues to fascinate many guitarists even today. If you want to get that sound in the modern lineup, the 1959SLP is the answer.

• MODEL: 1959SLP
• RANGE: VINTAGE
• TECHNOLOGY: VALVE
• CHANNELS: 2
• WATTAGE: 100W
• Inputs: 2 x 2
• CONTROLS: PRESENCE, BASS, MIDDLE, TREBLE, VOLUME 1, VOLUME 2
• PRE AMP VALVES: 2 x ECC83
• POWER AMP VALVES: 1 x ECC83, 4 x EL34
• WEIGHT: 20.5kg
• DIMENSIONS (W × H × D): 750mm × 310mm × 215mm
• EFFECTS LOOP: YES

A true Fender classic that has been admired by guitarists worldwide for decades, it is one of the greatest backline amplifiers of all time. The mid-'60s Twin Reverb has been a staple in almost every musical genre and remains a must-have today. Whether you're listening to rock, blues, country or jazz, this amp delivers a clean electric guitar sound that's a hallmark of the genre. With two 2" speakers, a timeless look and essential sound, the '12 Twin Reverb® is a truly majestic amp that brings you back to an exciting era with unmistakable Fender sound and style.

This model was produced to commemorate Marshall's 30th anniversary.

The hybrid amplifier "BASSMAN® 500 HEAD" is now available, using a vacuum tube for the preamp and a Class D for the power amplifier. While inheriting the style of the 60's, it incorporates modern technology to maximize Fender's traditional technology.

The Vintage channel delivers a rich, warm sound with classic Fender passive tone. The Overdrive channel delivers an aggressive, responsive sound with modern active tone. Of course, you can also switch between them with a footswitch. We recommend pairing it with a Bassman Pro series cabinet or a Rumble series 410/115 cabinet.

The ultimate overdrive! It has the brilliant tone and rich overtones that are inherent to Class A amps. It produces a thick and wonderful distortion, and by making full use of the guitar's volume control, it brings out all kinds of tones.

【Feature】

HP: Set up at High Peak for a more British sound with an amplified bottom end, increased distortion at all corners of the Drive knob range, more volume, and a slight boost in the upper mids (3.5Khz range).
・LP: When set up to low peak, you can get the original sound of the guitar amp with amazing accuracy, and it is ideal if you are looking for a tone like an old black face or tweed amp when you turn up the volume or clean boost. Contrary to HP, if you are not looking for a British type sound, we recommend setting it up to LP.
- This is an excellent product that brings out all the brilliant tones and rich overtones that Class A amplifiers inherently have. The dynamic range is slightly wider, and the difference between picking softly and picking hard actually produces a wider range of distortion and output than the distortion caused by clipping a normal diode. It also does not impair the original tone of any amplifier or guitar. And by making full use of the guitar's volume control, it brings out a wide range of tones in a spectacular way.

Klon Centaur silver short tail, a handmade pedal brand from Boston, USA

An overdrive pedal developed by Bill Finnegan in 1994.

The total of 8000 pedals that he personally produced are in high demand from all over the world.

Their market value has steadily increased, and now they are traded for hundreds of thousands of yen each.

A fuzz pedal that provides long sustain and a variety of tones. Intuitive sound creation is possible with 3 knobs. The musical TONE control allows you to create a wide range of drive sounds, from mellow and rounded tones to bright and aggressive sounds, all in one unit.

The NANO POG is the smallest in the POG series of polyphonic octave generators, and is designed to take up as little space as possible on your effects board.

Like other POG series pedals, the tracking and sound are impeccable. The DRY, SUB OCTAVE, and OCTAVE UP controls, as well as the lack of switching noise, further enhance the pedal's perfection.

The NANO POG is the smallest in the POG series of polyphonic octave generators, and is designed to take up as little space as possible on your effects board.

Like other POG series pedals, the tracking and sound are impeccable. The DRY, SUB OCTAVE, and OCTAVE UP controls, as well as the lack of switching noise, further enhance the pedal's perfection.

• The original Crybaby, designed in 1966 by Thomas Organ, is a legendary wah-wah used by many great musicians, including Jimi Hendrix, Eric Clapton, Buddy Guy, and David Gilmour.
• Power supply 9V: Dry cell battery 006P or 9VAC adapter
• 寸法：100(W)×250(D)×63(H)mm
  重量：約1.7Kg

The successor to the TU-2, a classic that established an era. Convenient functions such as the newly equipped "high brightness mode" that further improves visibility outdoors, smooth meter display with 21 LEDs, and support for flat tuning up to 6 semitones allow for comfortable tuning.