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[Made in Japan] A thorough explanation of the Phantom FX! A comprehensive guide to the wildly popular fuzz and drive effect pedal [Features and user reviews]

There's a legendary brand that burst onto the scene like a comet during the second boutique effects pedal boom of 2007, quickly gaining a passionate following.
This is the project run by professional guitarist Kenji Todaka.
Phantom fx
Many of the iconic machines created in the early stages of their career sold out instantly, and even during their long hiatus after 2013, they continued to be deified among geeks.
Even now, having made a sudden comeback in 2020, their unique sound and sophisticated look continue to captivate many players.
This article provides a comprehensive overview of Phantom FX, showcasing its uncompromising parts selection and the sensibilities of a professional musician, along with a thorough explanation of its representative pedals.
What is Phantom FX? Exploring the essence of the brand.

Phantom fx is a Japanese pedal brand founded by Kenji Todaka (Toddy), a leading guitarist in ART-SCHOOL and MONOEYES. Its greatest strength lies in the fact that active professional musicians rely on their own ears and sensibilities to pursue the ultimate sound that is truly usable in live performance settings. Since its founding in 2007, it has maintained a production system that is completely handmade using rare parts, and has quickly become a legendary presence with its overwhelming sound quality and unique design sense.
After a long silence since 2013, the brand made a dramatic comeback in 2020 with a new lineup, welcoming Mr. Egawa of Sara Pedals as the production manager. Its sophisticated exterior design, inspired by music and everyday scenes, is a distinctive feature, and the heavy-duty casing made of iron and aluminum, along with its unique paintwork, will elevate the player's spirits just by being placed on an effects board. It's not just a simple vintage clone; it possesses a strong presence and a cutting tone that never gets lost in the band's sound, which is the main reason why it continues to be coveted by so many guitarists.
A comprehensive explanation of the noteworthy Phantom FX pedals.
Sabbath

- Despite its clean, single-knob design, it delivers a powerful and compelling fuzz tone.
- A heavy, jet-black casing made from a combination of iron and aluminum plates.
- Equipped with a pickup simulation circuit (input transformer), allowing for flexible connection locations.
- Treble can be finely adjusted using an internal trim pot.
The Sabbath is a legitimate evolution of the one-knob fuzz pedal that appeared as the brand's first model in its early days and made the Phantom FX name known to the world. Going beyond the simple category of a loud, muff-type pedal, it features a perfect balance of violent low-mids and fast-paced high-mids.
While adhering to vintage parts, the impedance issues have been resolved using transformers to make it easy to integrate into modern systems. This pedal is a signature piece of the brand, embodying Mr. Todaka's desire to "not disappoint those who love Sabbath."
Positive reviews
- "It has just one knob, but it produces an incredibly good sound. The balance between the wall-like sound pressure when playing chords and the cutaway high-mids when playing single notes is exquisite."
- "It looks cool and stylish. The substantial feel of the iron and the jet-black paint give it an overwhelming presence when placed on a board."
- "The best thing about it is that you can place it after a wah pedal without worrying about impedance. It's fantastic that it overcomes the weaknesses of fuzz while still retaining that raw, aggressive sound."
Negative reviews
- "Because it only has one knob, fine-tuning the sound depends on the guitar's volume and tone controls, so overall sound-shaping ability, including the amplifier, is put to the test."
- "The number of units is extremely limited, and online sales are always a battle of seconds, so even if you want one, it's very difficult to get it at the regular price."
SABBATH Bliss

- A luxurious component system that generously incorporates rare vintage parts from Europe, such as Iskra and Wima.
- Tone Bender-style design evokes a powerful, yet three-dimensional tone and incredible touch response.
- It responds extremely sensitively to volume adjustments on the guitar, offering expressive control down to a clean, bell-like tone.
- High durability and noise-free design thanks to beautifully and robustly arranged universal circuit boards.
SABBATH Bliss is a made-to-order, high-end model that takes the concept of the brand's debut product, the one-knob fuzz pedal "Sabbath," to the extreme.
This isn't just a simple roaring fuzz; it's been redesigned to allow you to create a wide range of soundscapes using only your picking nuances and guitar volume control. The exquisite tone produced by the highest quality vintage parts, chosen regardless of cost, positions this pedal as one of the pinnacles of fuzz pedal design.
Positive reviews
- "It has a great range of tones from low gain to high gain, and the clean-up sound when you turn down the guitar's volume is artistic."
- "The internal circuit board wiring is simply beautiful, and combined with the aura of the vintage parts, just incorporating it into a board satisfies the desire to own it."
- "It's incredibly expressive for a single-knob pickup. It perfectly captures the nuances of the player's technique, making you want to keep playing it forever."
Negative reviews
- "Due to the rarity of the parts, it's made entirely to order, resulting in long lead times, and the biggest drawback is that it's extremely difficult to obtain these days."
- "The response is so fast that there's absolutely no room for error, so rough playing will easily reveal flaws, and you need a certain level of skill to master it."
SABBATH Black Gaze

- A thick, fast, roaring fuzz sound that fuses the heavy distortion of "Black Metal" with the sonic vortex of "Shoegaze".
- Taking the legendary "Sabbath Russian" as a reference, this pedal achieves a balance between aggressive low-mids and clear, punchy high-mids.
- The input section incorporates a pickup simulation circuit using a transformer, eliminating sound quality degradation due to connection order.
- In addition to its clean, single-knob design, it also features a built-in trim pot for fine-tuning the treble.
The model name "Black Gaze" is a portmanteau of black metal and shoegaze, and as the name suggests, it was developed to create a wall of heavy and fantastical sound.
While retaining the raw energy of early Sabbath, this is an iconic model of the reborn Phantom FX, evolving into a practical pedal that can be flexibly integrated into modern, complex systems by incorporating a transformer that solves the impedance problems inherent in fuzz.
Positive reviews
- "The sheer power of the wall of sound is incredible. And yet, the way the single notes cut through so well, and the chords never sound muddy, is like magic."
- "The best thing about it is that you can place it after a wah or buffer without worrying about impedance. It brilliantly overcomes the weaknesses of fuzz pedals."
- "Thanks to the internal treble trimmer, you can quickly regain your preferred edge even when changing amps or guitars."
Negative reviews
- "The distortion level is fixed and set quite high, so it's completely unsuitable for applications where you want to keep it to a crunch level."
- "The black, mysterious design is fantastic, but on a dark stage, the single knob can be difficult to see."
MOTHER

- While based on the classic Big Muff sound, it offers a clear resolution that allows you to clearly see the sound image.
- Intuitive and versatile control with three knobs: Volume, Shape, and Saturation.
- The versatility of the Shape control covers everything from traditional tones with cut mids to modern, clear tones.
MOTHER is a landmark fuzz pedal that was released in 2020 when Phantom fx made its comeback after a hiatus of approximately seven years. As its name suggests, reminiscent of Pink Floyd's "Atom Heart Mother," it features a grand, wall-of-sound drive.
It brilliantly overcomes the weakness of conventional Big Muff-style pedals, which was that the sound would get lost in an ensemble. It is positioned as a new generation high-gain fuzz pedal that produces a roaring sound while still allowing the constituent tones of chords to be clearly heard.
Positive reviews
- "Despite being a Muff-type pedal, the sound really projects forward. The Shape knob is incredibly effective, allowing you to create fuzz sounds from various eras with just this one unit."
- "Mr. Egawa's internal circuit board assembly is artistic. I was impressed by its low noise level and high practicality, making it perfect for live performances."
- "It has a pleasant quality where the sustain seems to go on forever. It can be used like a distortion pedal, so it's versatile enough to recommend to fuzz beginners."
Negative reviews
- "Compared to the older MOTHER model, I notice a slight difference in the bass response and the overall tone's hardness. It's a matter of personal preference, but if you're looking for a more aggressive sound, you might have to look for the older model."
- "The main drawback is that, like Sabbath, it's extremely difficult to obtain due to limited distribution channels, such as being sold exclusively at CULT."
MTR

- A derivative fuzz pedal based on the hugely popular "MOTHER" model, featuring alternative sound tuning.
- In addition to three intuitive knobs for Volume, Filter, and Saturation, it also features an internal trim pot for adjusting the Bottom.
- It eliminates the recessed midrange often found in conventional Big Muff-style pedals, resulting in a clearer sound image that stands out in an ensemble.
- While retaining a vintage feel, it features a low-noise, easy-to-use design that matches modern equipment environments.
The MTR is a pedal based on "MOTHER," a representative fuzz pedal from the revived Phantom fx, but with a more edgy tuning specifically tailored for alternative rock.
While inheriting the excellent separation and ease of use that are the strengths of MOTHER, this pedal allows for precise control of the low frequencies with its internal Bottom trimmer. Positioned as a new type of drive pedal that offers a more practical and aggressive approach for players who seek a solid core strength in their roaring sound.
Positive reviews
- "It's a little edgier than MOTHER, and I love the crisp, sharp feel when playing alternative riffs."
- "The internal bottom trimmer is excellent. It's practical because it allows you to optimize the low-end response to match the size of your amp cabinet."
- "It creates a wall of sound similar to a Big Muff, but the guitar's sweet spot in the band's mix never gets buried. It's a fuzz pedal that's truly usable in live settings."
Negative reviews
- "The control names are unique, so you might be confused at first if you turn them with the same感覚 (sense/feel) as typical tone or gain controls."
- "Since there's a lot of overlap with the characters in MOTHER, whether people who already own MOTHER will want to buy this one is likely to be a matter of personal preference."
Phantom EVR series

The Phantom EVR is the ultimate high-end series, born from a miraculous collaboration between Kenji Todaka of Phantom fx and Shun Nokina of Leqtique.
The use of a special MOSFET, unprecedented in previous effects pedals, and a completely original circuitry demonstrate the uncompromising pursuit of sound that both builders have poured into this product.
The fusion of Phantom FX's point-to-point wiring and Leqtique's precise formatting produces an exceptionally high-resolution, lustrous, and supreme tone.
Combined with their beautifully hand-painted casings, these pedals offer both overwhelming sound and a sense of ownership akin to a work of art, making them an extremely rare and highly valuable collection.
#1 Bleu OD

- This pedal employs a special type of MOSFET, never before used in any effects pedals, in its two-stage gain stage.
- The internal structure incorporates point-to-point wiring using Phantom fx into Leqtique's precise format.
- A thick, glossy, and rich midrange that doesn't belong to existing frameworks like TS or Klon.
- Precise sound tuning tailored to your environment is possible with an external Low Cut knob and an internal Mid Cut trimmer.
The Bleu OD is the first overdrive pedal from the "Phantom EVR" brand, a fusion of sound production by Kenji Todaka and circuit design by Shun Nokina, who has created numerous legendary pedals. This collaboration marks their first since "Bells" in 2011, and after years of planning, it has been released to the world as a "drive pedal with a completely new texture."
Its greatest feature is the coexistence of an exquisite touch response, like when you turn down the volume on a fuzz pedal, and the rich midrange characteristic of an overdrive. It has a unique tone that sets it apart from transparent pedals, being "processed yet extremely natural," and is positioned as a masterpiece that fundamentally elevates the sound of your pedalboard, whether as an always-on preamp or a superb gain booster.
Positive reviews
- "It's neither a TS-style nor a Centaur-style overdrive; it's a completely new, superb overdrive. Every frequency range is thick and rich, and I can't imagine letting go of it as a preamp."
- "The rich midrange when the gain is turned up is fantastic, and when used as a booster to push the amp, the sound magically comes forward."
- "The beauty of the swirl paint job and the attention to detail in the internal wiring are incredible. It's not just an effects pedal; it feels like you're owning a work of art."
Negative reviews
- "Because the gain range and EQ range are so wide, it's not the kind of pedal where you can just randomly turn the knobs and get a good sound; you need a clear vision of the sound you want to produce."
- "Because they are hand-painted, each piece has a different pattern, and it's a little frustrating that you can't be sure you'll get the pattern you like when you order online."
#2 Cliffs

- A completely original distortion design using four unprecedented MOSFETs.
- It has an exquisite compression feel, like when you turn up a tube amp all the way, and very juicy, rich harmonics.
- Unlike solid distortion, it has a raw, gritty quality reminiscent of a Fuzz Face.
- Despite being a distortion effect, it boasts an astonishing responsiveness, receding to a clean, bell-like tone simply by turning down the guitar's volume.
Cliffs is a discrete distortion pedal with a completely original circuit, developed as a counterpart to the Bleu OD. Rather than a well-behaved distortion that is an extension of overdrive, it is designed to produce a very raw and wild tone, combining the saturation of a tube amp with the rawness of fuzz.
The perfect balance between Mr. Todaka's desire for "a thickness that can be used in live settings" and Mr. Shun Nokina's "uncompromising parts selection" results in a pedal that maintains chord separation even when heavily distorted. From high-gain leads to crunch tones controlled at your fingertips, this is the ultimate drive pedal with incredible versatility and expressive power.
Positive reviews
- "It's a distortion pedal, but it has the stickiness and thickness of a fuzz pedal. At first glance, it sounds like it's all messy and distorted, but it's不思議 (mysterious) how the chords remain clearly defined."
- "The response to the guitar's volume is incredible; you can control everything from clean to heavy distortion with just your hands, just like plugging directly into an amp."
- "Thanks to the internal Mid Cut trimmer and external Low Cut knob, it's easy to create a tone that retains only the sweet spot, whether you're using humbuckers or single-coil pickups."
Negative reviews
- "As a distortion pedal, it produces a rather thick low-to-mid-low frequency range, so it's not suitable for those looking for a tight, crunchy, modern metal sound."
- "Just like the Bleu OD, this also sold out immediately after its release, and it's really unfortunate that currently the only way to find it is on the used market at a premium price."
Summary | The appeal of combining individuality and practicality
The Phantom fx is a fusion of the sensibilities of Mr. Todaka, a currently active professional musician, and Mr. Egawa's outstanding manufacturing skills.
Although they once fell silent, their current lineup, now revived, consists of nothing but uncompromising, supreme pedals.
While certainly not cheap at first glance, its strong individuality and practicality make it understandable why it remains so difficult to obtain.
Find the perfect pedalboard that will bring overwhelming presence and inspiration to your own pedalboard.






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