[Reproduce the classic model] Introducing the amazing precision of the Fender Tone Master amp series [Sound demo and reviews]

Fender's legendary amps continue to fascinate many guitarists, from amateurs to professionals.

However, since it is a vacuum tube and cannot produce a loud volume, it is difficult to use at home or for practice...

I have no choice but to make do with an amp simulator that looks similar.

For these people, there is a series that can help them get the Fender tone they desire.

Fender / TONE MASTER®

An enormous amount of time was spent to digitally reproduce the nuances of a tube amp in a way that is completely different from a simulator.

It's highly portable, weighing about half the weight of the original, and because it's digital, there are no maintenance concerns like with vacuum tubes.

And it's not just the sound that's important, the appearance is also very important.

Check out the features and sound of this innovative Fender amp!

What is the Fender Tone Master amplifier series?

Basic information about the series

Series name	TONE MASTER®
Brand	Fender
Categories	Amplify
	Super Reverb® Princeton Reverb® Deluxe Reverb® Twin Reverb®

The Tone Master amplifier series is equipped with powerful digital processing power and perfectly reproduces the circuitry and output performance of iconic Fender tube amplifiers. It provides the dynamic tone of the original all-tube amplifiers while achieving lightweight design with cutting-edge technology and a variety of optional features that meet the diverse needs of modern players.
(Fender OfficialThan)

Fender Tone Master Amplifiers | Lineup and Features

Tone Master® Super Reverb®

The Tone Master Super Reverb is the culmination of Fender amplifier evolution. Utilizing Fender's exclusive Tone Master modeling technology and combining features that maximize the amp's usefulness, it perfectly recreates the character of legendary tube amps with flexible features for today's most demanding professionals.

The Tone Master Super Reverb combines a mid-'60s black panel amplifier circuit with four 4-inch speaker drivers, giving you the full, thick sound of a 10x4 cabinet, the sparkle of a Jensen speaker, and easy-to-use simulated 10W output power. With realistic sound indistinguishable from the original tube amplifier, a lightweight design that's easy to lift, and modern features like a power switch that allows you to simply adjust it to suit the venue, and an IR line out, the Tone Master Super Reverb is at home on stage, in the studio, or in any environment.

Reviews

https://twitter.com/TAMIOMOBO/status/1659449282410459137

Free The Tone OVERDRIVELAND / ODL-1-CS

I took a simple test video.
Guitar used: Fender CS '61 Stratocaster
Neck Pickup Vol. Tone Full
Amplifier used:
Fender Tone Master Super Reverb
Vol.6 Tr.6 Mid.6 Bs.3 Rev.4#FreeTheTone#Overdriveland pic.twitter.com/x9g8G1Sgs6

— “UT”be Ray Vaughan (please call me UT or URV) (@TAMIOMOBO) November 10, 2023

Tone Master® Princeton Reverb®

The Tone Master Princeton Reverb is a perfect digital recreation of the legendary Princeton tube amp, powered by Fender's exclusive Tone Master modeling technology, with player-oriented features and modern conveniences to appeal to today's most demanding professionals.

The Tone Master Princeton Reverb is a versatile model that offers the realism and vintage tone and looks that are unique to the Tone Master amplifier series in a wide range of situations, such as home practice, studio recording, and live performance. It is the perfect size for guitarists who want a moderately powerful amp with built-in reverb and tremolo effects for classic Fender tone. The rear panel is equipped with features that bring modern convenience and flexibility, such as an output power selector with full power and five attenuation settings, a balanced XLR line output with impulse response (IR) cabinet simulation captured with Shure SM5 and Royer R-57 microphones, a mute switch to mute the speaker output on stage or in recording, and a USB port for firmware upgrades.

Reviews

The sound is better than I expected.
The feeling of turning up the volume is just like the original. You could call it the grain of sound, the luster or crispness, the contours of each individual string are extremely realistic, and the thickness of the low mids is also highly reproduced.
If possible, I recommend turning off the attenuator and setting the volume to 3 or higher. Conversely, if the volume is low, the sound is more subdued. This is also the case with the original. If you are subdued, the power is reduced, so the clean sound is also subdued, but if you turn up the volume, the clean sound becomes thicker and clearer.
The sharp, icy tension of the highs is also nicely expressed, as expected from Fender's technology. It's impressive.
It's not digital modeling, but rather a simulation of the original sound.
The reverb is a bit over the top, but if you keep it subtle it's enough to create atmosphere.
And best of all, unlike tube amplifiers, it is not affected by weather conditions and there is no need for troublesome tube maintenance. The original Princeton applies more than the regulated 100V voltage to the tubes, so the tubes deteriorate very quickly... There are also problems caused by tube deterioration. With TONE MASTER, I always get a sound that sounds like the tubes are in top condition, which makes me happy.

Sound HouseThan

When I first played it, I thought, "Hmm? The sound is a bit harsh?", but after playing it every day, it got a great sound! I think this is probably due to the speakers aging.
This is really good. It's comparable to the Princeton tube. It really satisfies the desire to own it.
I think the response of the effector depends on the environment, but I think it's pretty good. It's easy to forget that this is a modeling amp.
However, there is one thing I regret. In my environment, the sound is too quiet at the lowest attenuator setting, and a little loud at the second lowest setting. I wish there was an intermediate setting.

Sound HouseThan

Tone Master® Deluxe Reverb®

The Tone Master Deluxe Reverb is a digital amplifier that faithfully reproduces the sound of the original 22W output Deluxe Reverb tube amplifier through digital processing. Equipped with a high-performance 100W digital power amplifier and one Jensen® N-12K neodymium driver in a pine cabinet that provides rich resonance, it produces tones equivalent to the vast headroom and dynamic range of the vintage Deluxe Reverb tube amplifier. By eliminating the tubes and adopting a digital foundation, it has succeeded in astonishingly reducing the weight by about half compared to the all-tube Deluxe Reverb amplifier.

The front panel configuration is the same as the original tube model, allowing you to design your ideal sound with simple operation. It also features Fender's world-standard reverb and tremolo effects, and the rear panel is equipped with a 6-stage output power selector, a balanced XLR line output with IR (impulse response) cabinet simulation, a mute switch that is useful for silent recording, and a USB port for firmware updates, making it a versatile model that meets the wide-ranging demands of modern players.

Reviews

Fender has made the historic Deluxe Reverb look as easy as possible.
I thought there was no way it would ever be released, and that was exactly the case.
It's completely different from a simple modeling amp.
It's different from what you'll find in modeling amps or effects up until now.
Not only is it really well made, but it also has output adjustment and recording output.
Considering one thing, this one clearly wins in terms of ease of use.
As for the sound, I think only a very limited number of people can distinguish it.
I think this is a revolutionary product.
I have never been able to use a vacuum tube amplifier at home, so I had no choice but to
Anyone who has used modeling amps will be pleased.
At this point, it would be rude to talk about whether it looks similar or not or whether it's digital or anything like that.
It produces Dellariba's best sound, so there's not much you could ask for.
If an amp doesn't have a clean output, no matter how expensive it is,
Even if you use effects, it can't get any better than that.
I think a clean sound is that important.
1. Good sound quality
2. Flexible power adjustment
3. Lightweight
4. Good looks
5. Inexpensive
What more could you ask for?
※ postscript
The room where I play my instrument is a simple soundproof room, but 5W is just right.
10W and 22W are completely overpowered.
On the other hand, it is reassuring to know that there are still 1W and 0W options available below.
I think it would be better if it sold more...
I would especially like to have this in the studio, in addition to JC.

Sound HouseThan

I've been importing CDs of bands from over 40 years ago into Logic and practicing along with them.
I bought the same guitar as the artist, and have tried many transistor amps, effects, and amp simulators, but they all had a slightly different sound from the CD. Even when I bought a tube amp, whenever I tried to distort it (slight distortion is fine...), the sound became too loud, so I kept buying and selling them.
I knew that the artist I was copying was playing a Fender Deluxe Reverb directly through the amp at full volume, so I decided to take the plunge and buy one.
Result is
It's so perfect that it's hard to tell the difference between the sound I produce and the sound from the CD.
The behavior and tone are exactly the same, even when single notes are clean and when multiple notes are slightly distorted.
(This is just my opinion based on my poor hearing...)
Since everyone seems to be talking about the sound coming from the speakers, I will review it in terms of the XLR output.
I remembered all the times I had bought and sold in the past, and for about half a day I felt depressed.
All remaining equipment is for sale.

Sound HouseThan

Tone Master® Twin Reverb®

The Tone Master Twin Reverb is a digital amplifier that faithfully reproduces the sound of the original 85W output Twin Reverb tube amplifier through digital processing. Equipped with a high-performance 200W digital power amplifier and two Jensen® N-12K neodymium drivers in a pine cabinet that provides rich resonance, it produces tones equivalent to the vast headroom and dynamic range of the vintage Twin Reverb tube amplifier. By eliminating the tubes and using a digital foundation, it has succeeded in astonishingly reducing the weight by about half compared to the all-tube Twin Reverb amplifier.

The front panel configuration is the same as the original tube model, allowing you to design your ideal sound with simple operation. It also features Fender's world-standard reverb and tremolo effects, and the rear panel is equipped with a 6-stage output power selector, a balanced XLR line output with IR (impulse response) cabinet simulation, a mute switch that is useful for silent recording, and a USB port for firmware updates, making it a versatile model that meets the wide-ranging demands of modern players.

Reviews

I've been a fan of vacuum tube amps, especially Fender reverb, for many years, but the effort of traveling to gigs has become too much for me. I decided to buy this because it's lightweight, reasonably priced, and easy to maintain.
I tried comparing the sound of the two units side by side, and they still sounded different.
　Sorry for this amateur review...
In my opinion, the high tones have an edge. Also, even when no sound is being produced, vacuum tube amps have a distinctive hissing noise, but this is not so noticeable with transistor amps. Is this because the vacuum tube amp is a genuine Fender Eminence? I feel a sticky midrange. Even when playing for long periods of time, there is no noise or sound loss due to heat, so this is an amp that you can use with confidence.
If you don't mind the "vacuum tube" name, you can use it without any problems. Above all, maintenance and loading are easy. I definitely recommend it for those who use it frequently.

Sound HouseThan

Amplifier history: From Fender Super Sonic to Orange Rockerverb 100 MkII.
I endured the delicate handling and weight of a vacuum tube amplifier for 10 years, but after considering moving it and other things, I decided it was no longer possible and decided on this.
It has a Fender-like sound. I haven't compared it to a tube version, but I don't think you'd be able to tell the difference if you closed your eyes and listened.
The sound is a little hard, but it's good enough for rehearsals and live performances. Price-wise, if you try a little harder you can get the real thing... (I wish it was a little cheaper lol), but I recommend it when you consider the maintenance and weight.

Sound HouseThan