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[The definitive small tube guitar] A thorough explanation of why the Fender Blues Junior IV is chosen and what makes it so great! [Differences from previous models and reviews included]

A representative small tube amp that can be used for a wide range of purposes, from practicing at home to the studio and even small-scale live performances.
Fender Blues Junior
Since its introduction in the mid-1990s, production has continued with many improvements and model changes over the years, making it a long-selling model loved by guitarists around the world.
In this article, we will take a closer look at the features and sound of the current model, the Blues Junior IV, the evolution of previous models from the first model, and the reasons for its appeal and popularity. We have put together a detailed summary of what it is about the Blues Junior that attracts so many guitarists!
What is Fender Blues Junior? | History and Overview

The Blues Junior is a 1996W output vacuum tube guitar amplifier released by Fender around 15.
It was released as a member of the "Hot Rod Series" that inherits the atmosphere of Fender tweed amps from the 50s and 60s while incorporating modern functions. The compact combo cabinet is equipped with a 12-inch speaker and vacuum tube circuit, and its full specifications, including master volume, 3-band EQ, and spring reverb, produce a powerful and highly refined sound that is "hard to believe it is 15W."
It is said that when you actually listen to it, you can feel the sound pressure and lustrous tone that is comparable to a 40W class amplifier."A small combo with high specs all in one"From the start, it caught the attention of guitarists.
When it was first introduced, it was available in classic looks, such as a lacquered tweed-covered model or a black Tolex-covered model. The early models were produced at the Corona factory in the United States, but in the 2000s, production was moved to Mexico. Since then, production has continued with minor improvements, and in 2010, a major model change was announced: the Blues Junior III.
Since then, various limited edition color variations (tweed, red, surf green, etc.) and special models with different speakers (such as a lacquer tweed version with Jensen speakers) have been released, and the latest model has evolved into the current model, the Blues Junior IV. Even now, about 30 years after its release, it has become a long-lasting classic amplifier, which shows its popularity and strong support.
Current model | Blues Junior IV features and sound explanation

Product Specifications
| Rated output | 15W RMS (Class AB push-pull) |
| Vacuum tube | 12AX7 x 3 (pre) / EL84 x 2 (power) |
| Lecturer | 12" Celestion A-Type 8 Ohms |
| Control | Volume, Treble, Middle, Bass, Master, Reverb, FAT switch |
| Input/output terminal | ¼" Hi-Z input, foot switch terminal (FAT on/off), 8 Ω speaker jack |
| Reverb | Improved spring (3 springs) |
| Cabinet | Lightweight pine, open back |
| External dimensions | Approximately 406 x 457 x 233 mm |
| weight | Approximately 14 kg |
| Accessories | 1 button foot switch, dust cover |

Compact yet powerful 15 W
The sound pressure that comes out of the small body is louder than the numbers suggest. At home, you can practice late at night by just turning down the master volume, and in the studio, you can get a crunch that cuts through to the band just by turning up the volume to 3-4. This model betrays the preconceived notion that "small = weak" in a good way.
Improved preamp and EL84 harmonics
The preamp circuit has been improved for the IV generation. The midrange now swells more smoothly, making it easier to vary the strength of your picking and clean sound. Combined with the slightly compressed, sweet overtones characteristic of the EL84 power tubes, this adds a bluesy stickiness to the crisp Fender clean sound.
New Celestion A-Type for increased brilliance
From the previous generation III's Eminence Lightning Bolt, in IVCelestion A-TypeWhile maintaining the bell-shaped highs characteristic of Fender, the mid-high range has become more lustrous, and the graininess when driven has improved dramatically. Separation is not lost even when playing chords, and you can experience a tone that "sings" when playing solos with the mids coming forward.
Spring reverb & FAT switch
The 3-spring reverb tank has been redesigned to reduce turbidity and improve natural decay. The sound image does not become blurred even when applied deeply. The FAT switch is a pseudo 2-channel function that boosts the midrange with one button. The convenience of being able to switch to solo without needing a booster is useful in live performances.
Simple 6-knob operation and lightweight pine cabinet
The simple layout of only Volume/Master + 3-band EQ + Reverb is the biggest advantage of "not getting lost in sound creation". The lightweight pine cabinet is quick to start up and easy to carry. It is made to fit players who want to combine home and live performances.
Sound demo
Fender Blues Junior | Differences and evolution of previous models
The Blues Junior series can be broadly divided into four generations. Each generation has seen changes and improvements, and while the basic concept remains the same, minor sound trends and functions have been updated. Below is a summary of the main changes and differences from the first generation to the current IV.
First generation Blues Junior (released in the late 1990s)

This is the first commemorative model. The basic specifications of 15W, 1x12" speaker, 3-band EQ + master + reverb + Fat switch were completed at this point. Initially, the case was available in a variety of colors such as tweed and black, and the speakers were made by Fender's special Eminence. Despite being a vacuum tube amp, it was designed to provide natural overdrive even at low volumes, making it easy to use at home, yet capable of producing sufficient sound pressure when fully turned up, making it popular. The initial batch was made in the USA, but in the 2000s, production was moved to Mexico to improve production efficiency. The internal circuit board was also changed from the initial green board to a cream-colored board, and minor changes were also made to the details of the components (for convenience, this period is sometimes referred to as the "Blues Junior II").
Blues Junior III (released in 2010)

This is a major renewal model that has appeared about 15 years after the first model was released. The biggest change is the speaker, and the standard model is now equipped with Eminence's "Lightning Bolt" speaker. This improves the volume and sound quality of the mid-low range, and adjusts the sound to be more balanced. The control panel design has also been revised, changing the previous mirror chrome panel to a matte black panel with less reflection and improved visibility (knobs are all ivory chicken head). Other improvements include improved quality of input jacks and pots, noise reduction measures, and brushed up case structure to improve reliability. It is also worth noting that many limited edition (FSR) models were released during the Blues Junior III period. A wide variety of variations were developed, including models with different Tolex (exterior) colors and panel colors, and models equipped with different speakers made by Jensen and Celestion. For example, there are the “Lacquered Tweed” with lacquer tweed and Jensen speakers, and the Surf Green color version with Vintage 30. The wide variety of options is one of the reasons why the Blues Junior has been so popular for so many years.
Blues Junior IV (around 2018 to present)

The current fourth generation model is the Blues Junior IV. While the basic configuration follows the III, as mentioned above, the preamp circuit and reverb have been improved, and the speaker has been changed to a Celestion A-Type speaker, resulting in a warmer and smoother sound. The silver grill cloth has a slightly aged look, creating a classical atmosphere. There are also limited edition models in the Blues Junior IV generation, and the most representative one is the Blues Junior Lacquered Tweed (IV). This variation has a retro look with tweed upholstery and a Jensen C4-N speaker, giving it a more vintage-like sound. The standard and tweed versions of the IV have slightly different tones, so you can choose according to your preference. Overall, the IV has matured in terms of sound and functionality to the point that it is said to be the "most complete Blues Junior in history," and it is the latest version that retains the strengths inherited from the first generation while firmly reinforcing its weaknesses.
Fender Blues Junior | Reviews and Reputation
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- "Impressed by the sound that only vacuum tubes can produce"
- "I saw the expression 'a sound you'll want to play forever' on YouTube, but when I actually played it, I felt like I wanted to play forever because of the pleasant tube sound that can't be produced digitally."
- "Enjoy the ultimate clean and crunch at home"
- "It's smaller than I thought, and easy to place in a room. When you play it at a low volume, below Volume and Master 2, it feels light, but it sounds good. I think it might be suitable for an apartment."
- "Vacuum tube amps are great to play. They're perfect for beginners."
Negative reputation
- "Not suitable for modern high gain"
- "While the one volume + master system allows you to get distortion early on, it's not good at keeping it clean at high volumes."
- "The clarity and shine are sufficient, but compared to more expensive boutique amps, the separation of each string and the faithful reproduction of the original sound are inferior."
Who is the Fender Blues Jr. recommended for? | Usage scenarios for different purposes
- I want to enjoy authentic tube sound at home.
The Blues Junior is also very popular as a home practice amp. Although it is 15W, it has a master volume, so you can turn down the volume to bring out the distortion that only tubes can produce. Some users have said, "If you keep the Volume and Master at 2-3, you can use it in an apartment. On the other hand, if you turn it up to 3 or more, the sound becomes sharp and bassy all at once, and the volume is too difficult." For home use, it can be said to have an "exquisite output that can be managed just enough." Of course, you should refrain from using it late at night, but there are also reports that it is fine to use it during the day in a house if you keep the master at around 8-9 o'clock (just a little). Even at low volume, you can enjoy the clean tone that is characteristic of Fender, and the moderately distorted texture has a pleasant feel unique to tubes that cannot be produced by digital amps. There are many reviews saying, "It's fun to play clean," and "I wish I had this from the beginning," and it is highly rated as an amp that allows you to enjoy the coveted Fender tone from the comfort of your own home. - I want to use it for studio practice or band rehearsals
The Blues Junior, with its 15W output and 12-inch speaker, can cover a sufficient volume for small to medium-sized rehearsal studios. The vacuum tube's unique "sound that cuts through" and "sound that jumps forward" make it difficult to get lost in a band ensemble and have a strong presence. In fact, there are stories of "a full band arrangement in a 30-person live bar without a PA. The amp stand was facing the floor and the volume was less than half," so the sound projection and impact are guaranteed. On the other hand, compared to large Fender amps such as the Twin Reverb, it is designed to start distorting at an earlier stage, so it is not suitable for producing a loud sound while maintaining a clean sound. However, for regular studio practice or small live music venues, many guitarists choose the Blues Junior as their rehearsal amp because it can produce a volume range that matches the band while maintaining a moderate crunch to clean sound. - I want to use it for small-scale live shows or street performances.
The Blues Junior is easy to carry around, yet it has enough power for live performances. As mentioned above, in small bars and live music venues, the sound will reach the back of the venue, so in venues with an audience of 14 to 30 people, it is often enough to use the Blues Junior directly on the amp. Even in larger venues, if you mic the PA, you can use the Blues Junior on stage as a monitor. In fact, it is not uncommon for professional musicians to bring the Blues Junior to small club gigs. This size is also a big attraction for those who find higher-end models such as the Deluxe Reverb too heavy to transport. One user said, "I was using a 50kg amp, but it was difficult to carry it in and out, so I replaced it with this lighter one," and the high mobility, including loading it into a car, is a big advantage. - I want a pedal platform and a recording amp.
The Blues Junior is also known for its compatibility with effects. It can create a straightforward clean to crunch sound, so it can be used as a so-called "pedal platform" by boosting the gain with a distortion pedal to create a lead tone, or as a clean channel without going through the amp simulator of a multi-effects pedal. In actual reviews, it has been praised as "good to push with a TS-type overdrive" and "matches a style that uses a lot of effects." Even when recording at home, you can add the airiness unique to tube amps that is not available with a direct line digital sound source by recording with a microphone, and some users feel that the texture becomes much more realistic just by layering tracks recorded with the Blues Junior. Since it is an amp that you can experience the expression "a sound that makes you want to play forever," it is also ideal for home studios in that it stimulates your creative desire.






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