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[Complete Summary] A Thorough Comparison of Cry Baby Wahs! | A Complete Explanation of the Types and Differences of Current Models [Includes History and Reviews]
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It has been loved for over half a century as the epitome of guitar wah pedals.
Cry Baby
Since its use by Jimi Hendrix and Eric Clapton in the 1960s,"Sounds like crying"He has been involved in countless great performances across rock, funk and blues.
Today, there is a wide range of models available, from standard models to multi-function versions, compact models, and even signature models for professional guitarists.
However, many people say, "There are so many types, I don't know which one to choose."
In this article,A thorough comparison of the current Cry Baby wah pedal lineupWe'll also summarize the features, functions, and price ranges of each product, as well as the positive and negative reviews from users, to explain the appeal of Cry Baby and how to choose one.
\ Going to meet Sound House's sister /
An older sister I often seePlease use Sound House again next time.
The History of Cry Baby Wow | Timeline of History and Evolution
The American company Thomas Organ (VOX brand) released the "Cry Baby" wah. Originally inspired by the sound of a muted trumpet, the effect quickly became a popular tool for guitarists, with Jimi Hendrix using it on famous songs like "Voodoo Child." Later, Eric Clapton and Jimmy Page also adopted it, quickly making it a standard guitar sound effect. Incidentally, the product name "Cry Baby" was not initially registered as a trademark, but was later acquired by Dunlop.
Dunlop acquired the Cry Baby trademark and manufacturing equipment and relaunched the pedal as the "GCB95 Cry Baby Standard." The wah's frequency range was redesigned to suit the music scene of the time, with a higher frequency response, resulting in a more aggressive, forward-thinking sound. Dunlop continues to produce the pedal to this day, making the Cry Baby the longest-running wah pedal in the world.
As players became increasingly interested in creating their own sounds, Dunlop released the Cry Baby 535Q Multi-Wah. Its four-stage frequency range was later expanded to six, and it also featured a variable Q control and a boost circuit (up to +4dB). It remains a Dunlop flagship model to this day, considered the "Swiss Army knife of wahs" capable of creating a wide variety of wah sounds with just one unit.
The Cry Baby 105Q Bass Wah debuted. This was the first wah specifically designed for bass, designed to affect only the mid- and high-frequency ranges (leaving the low frequencies intact), creating a funky wah effect without sacrificing low end. Featuring an auto-return mechanism, it was initially favored by many bassists, including Free (of the Red Hot Chili Peppers). In recent years, the 105Q has also been used with down-tuned guitars.
Around 2000, the Cry Baby 95Q was released, combining the standard GCB95 with an auto-return mechanism and Q/boost adjustments. In addition to the aggressive wah sound inherited from the GCB95, the boost could be turned on/off with the red button on the toe and the effect strength (Q) could be adjusted with the knob on the side. Literally a convenient "Standard+α" model, it was also popular for its ease of use: the effect could be turned on by simply stepping on the pedal without having to press a switch.
Responding to demand for a vintage wah sound, the Cry Baby Classic (GCB95F) has been released. Based on the current GCB95 circuit, the center frequency has been lowered and the effect has been retuned for a milder response. Furthermore, by incorporating the FASEL (red) inductor found in classic wah pedals and providing true bypass, the Cry Baby Classic combines the warm sound of the '60s and '70s with modern ease of use. It has garnered widespread support from classic wah fans to beginners alike.
The Clyde McCoy Cry Baby (CM95) is now available. This model recreates the circuitry of the original 1967 Clyde McCoy wah pedal, reviving its distinctive throaty vintage sound and wide sweep range. The key Halo inductor also mimics the original characteristics, while the internal structure has been improved to reduce oscillation noise (microphonics). Furthermore, the switch position and pot rotation range have been optimized, allowing you to enjoy the ideal vintage wah tone right out of the box. While the original was expensive and difficult to obtain, the CM95 makes it accessible to average players.
Responding to the need to save foot space, the Cry Baby Mini Wah (CBM95) was released, measuring roughly half the size of the previous model. Not only was it compact, but it also featured a three-tone switch inside, allowing users to select between popular wah ranges: high (equivalent to the GCB3), mid (vintage), and low (dark tone). Despite its small size, the pedal's range of motion was the same as a full-size pedal, and its robust construction made it durable enough for professional use. Following this success, mini versions such as the 95Q Bass Wah and the Jimi Hendrix Mini were later released.
In recent years, a growing number of signature Cry Baby models have been released in collaboration with legendary guitarists and bassists. Not only have they been featured by rock guitarists like Slash, Kirk Hammett, and Dimebag Darrell, but Eric Clapton's first signature wah will be released in 2023 (a model celebrating his 60th anniversary). Other models include those by blues/metal virtuosos like Joe Bonamassa and John Petrucci, Tool bassist Justin Chancellor, and even Japanese bassists like Akira Takasaki of Loudness and Shinichi Ikugata of ELLEGARDEN. The lineup is truly diverse. If you're looking to achieve a tone similar to that of your favorite artists, be sure to check out these signature models.
Comparison of current Cry Baby wah models
| Item | GCB95 Standard | GCB95F Classic | 535Q Multi-Wah | 95Q Wah+Boost | CBM95 Mini | CBJ95 Junior | CBM535Q Mini | 105Q Bass | CBM105Q Bass Mini |
|---|---|---|---|---|---|---|---|---|---|
| Frequency Range | Approximately 350Hz to 2.2kHz | Approximately 350Hz to 2.2kHz | Approximately 250Hz to 1.2kHz | Approximately 390Hz to 2.0kHz | Approximately 290Hz to 1.5kHz | Approximately 270Hz to 2.1kHz | Approximately 270Hz to 2.1kHz | Approximately 180Hz to 1.8kHz | Equivalent to 105Q |
| Characteristics | The classic Cry Baby sound | Warm and vintage-inspired | 6-stage range, variable Q, and boost | Auto ON/OFF, variable Q, with boost | Palm-sized, 3 internal modes | Medium size, 3 voicing options | Mini size version 535Q, multi-function | Designed specifically for bass, preserving low frequencies | For small bass, inherits 105Q functions |
| Inductor | Red FASEL | Red FASEL | Red FASEL | Red FASEL | FASEL | Red FASEL | Red FASEL | For bass only | For bass only |
| Bypass Method | With buffer (improved) | True Bypass | Hardwired | True Bypass | True Bypass | True Bypass | True Bypass | Dedicated Circuit | Dedicated Circuit |
| Size | フルサイズ | フルサイズ | フルサイズ | フルサイズ | Mini | Medium size | Mini | Full size (white case) | Mini |
| Actual selling price range | Approximately 15,000 yen | Approximately 18,000 yen | Approximately 20,000 yen | Approximately 17,000 yen | Approximately 12,000 yen | Approximately 18,000 yen | Approximately 20,000 yen | Approximately 18,000 yen | Approximately 16,000 yen |
Cry Baby | Standard Series
GCB95 Cry Baby Standard Wah
- Classic Sound
This is the standard model that forms the basis of the Cry Baby. Based on the original 1966 circuit, it features an aggressive wah effect with a modern, higher frequency range. It produces an addictive, classic tone with a high-pitched sound when you step on it and a clear, deep bass response when you play with your foot. - Simple and sturdy
Its simple design, lacking any additional features, allows you to instantly get a wah effect just by stepping on the pedal. Its sturdy die-cast housing and durable potentiometers (Hot Potz 100K) make it durable and long-lasting. This is a classic unit that's sure to be a great first wah pedal.
The GCB95 is reasonably priced and loved by beginners and professionals alike. There was a time when the sound was criticized for its thin tone (loss of tone due to the buffer), but recent improvements have made a big difference.
Roughly speaking"If you're unsure, choose this"This is the reliable standard Cry Baby.
Positive reviews
- The moment I stepped on it for the first time, I was amazed by the "textbook wah sound." I was able to recreate the sounds of Jimi Hendrix and Clapton on my guitar.
- Its simple structure makes it easy to use, and its durability means it can withstand heavy use even during live performances. Some say it has been in use for over 10 years without any problems.
- Its reasonable price of around 1 yen makes it ideal for beginners. Its lack of unnecessary functions makes it easy to operate, making it beginner-friendly.
Negative reviews
- It has been pointed out that because there is no on/off LED, it can sometimes be difficult to notice that the effect is still on during a live performance.
- Because it is not a true bypass, some people have complained that the sound becomes thin and the high notes become slightly rounded when the switch is off (although this has been significantly improved in current models).
Pochip
GCB95F Cry Baby Classic Wah
- Warm, vintage-inspired tone
This model is a vintage-inspired version of the standard GCB95. The center frequency of the internal circuitry has been slightly lowered, creating a softer, mellower, old-school tone. Its appeal lies in its "warm, singing" wah sound, with reduced high-frequency sharpness and rich harmonics in the mid-low range. - Fasel inductor & True Bypass
This pedal features the legendary FASEL inductor (red), which was originally used in the vintage Italian Cry Baby. It's said to produce a lustrous sound with brilliant overtones. It also features a true bypass design that completely switches the circuit when pressed, ensuring the sound doesn't become thin when turned off.
As the name "Classic" suggests, this unit brings back to life the nuances of wah that can be heard on classic albums from the 60s and 70s. It's a little more expensive than the standard model, but it's still well within reach.
Compared to the modern GCB95, many say that the sound is "rounder and thicker," making it perfect for blues and vintage rock.
Positive reviews
- The moment you turn it on, you'll feel like you've heard this nostalgic wah sound somewhere before. I love the warm tone that goes well with both distorted and clean sounds.
- Because it's true bypass, you don't have to worry about the original sound deteriorating when it's off. It's easy to incorporate into your board and can be used with confidence.
- It's milder on the ears than the GCB95, so you won't get tired of listening to it even if you play for a long time. A must-have for fans of vintage effects.
Negative reviews
- It is slightly more expensive than the GCB95 (a few thousand yen more), so some people say, "If you don't care that much about the difference in sound, the regular version might be fine."
- Because the sound is soft, it can feel a bit understated when combined with high-gain distortion. Some people prefer a bit more edge for intense metal solos.
Pochip
535Q Cry Baby Multi-Wah
- Create a variety of sounds with one unit, taking advantage of the best of both worlds
As its name suggests, this versatile wah pedal is designed to recreate the sounds of multiple wah pedals in one. The rotary switch on the bottom allows you to select from six frequency ranges (covering a wide range, from a more vintage-inspired low end to the modern range of a standard Cry Baby). Furthermore, the side knob allows you to continuously adjust the effect depth (Q), and the toe switch also provides up to +6dB of boost. This model literally offers exceptional sound-shaping freedom. - Designed for professional use
The 535Q is highly functional, yet robust and offers excellent noise suppression. Its circuit design minimizes current consumption and reduces unwanted distortion. Its hard-wired bypass circuitry ensures excellent bypass sound. Since its release, the XNUMXQ has been Dunlop's flagship model, used by a wide range of top musicians, from alternative to fusion, and even bass players.
"I want a wah that can do everything."Then the 535Q is the way to go.
You can have fun finding your favorite frequency and wah depth, and even advanced users who are addicted to effects will be pleased. On the other hand, beginners may find it a little difficult because there are so many settings.
However, once you get the hang of it, there's no more reliable wah pedal.
Positive reviews
- It's not just called the "Swiss Army knife of wah" for nothing! You won't want to let it go because you can fine-tune the wah sound to suit your song and amp.
- The built-in boost is convenient for raising the volume during solos. The boosted sound is natural, allowing you to create a lead tone that stands out without being drowned out by the wah.
- Its construction is solid and reliable, and it's durable enough to withstand heavy use on tour, so it's easy to see why it's been a staple on pro boards for so long.
Negative reviews
- Some people say that the many knobs and switches make it difficult to set up the unit. Since you can't make small adjustments with your feet during a live performance, some people end up just using their favorite settings.
- It's more expensive than the simple Cry Baby. Also, some people say that even though you can tweak it in various ways, you end up just using the standard Cry Baby sounds, which is a waste of money.
Pochip
95Q Cry Baby (Auto-Return with Boost)
- Easy to turn on by simply stepping on it
The 95Q's greatest feature is its auto-return mechanism. Unlike a regular wah pedal, there's no need to turn it on or off with a foot switch. Pressing the pedal automatically turns the effect on, and when you release your foot and return to heel position, the spring returns the effect to off. This is convenient for quickly switching the wah on and off during a performance, allowing you to intuitively turn the wah on and off for just a moment during a solo, for example, and then immediately turn it back on. Another advantage is that the switch doesn't make any noise, making it a valuable feature for live performances. - Customize with boost and variable Q
The circuitry itself follows the modern and powerful wah effect of the GCB95 standard, but is equipped with a side knob for adjusting the effect intensity (Q) and a boost switch up to +15dB. The boost can be turned on/off only when needed using the red button at the foot."Ease of use" and "fine adjustment function"It can be said to be a well-balanced model.
The 95Q is a standard Cry Baby with added features, making it suitable for everything from hard rock to funk. It's a favorite among those who like to stomp on the wah pedal during live performances, as there's no need to worry about accidentally pressing the wrong switch and the wah not turning off.
On the other hand, since you need to take your foot off to turn it off, it's not ideal for keeping the foot on the pedal and using it like a fixed wah.
Positive reviews
- The automatic on/off function is surprisingly convenient. You can quickly add wah to a lead phrase, then release your foot and it goes back to normal.
- The radical wah sound inherited from the GCB95 means it won't get lost in a band ensemble. Adding a boost will give it even more presence.
- The Q control allows you to fine-tune the intensity of the effect, making it convenient to create a "tight" or "loose" wah depending on the mood of the song.
Negative reviews
- When you release your foot, the spring immediately returns it to its original position and turns it off, making it difficult to maintain an awkward position. It's difficult to achieve the so-called "half-wah" effect (stopping the pedal midway to maintain the filter effect), but this is a matter of personal preference.
- Due to its structure, it requires a constant power supply (to operate the buffer circuit), so batteries tend to drain quickly. It is safer to use an AC adapter.
Pochip
CBJ95 Cry Baby Junior (Special & Standard)
- Space-saving design allows for direct placement of pedal train
The Cry Baby Junior, released in 2021, features a medium size that fits comfortably on a typical pedalboard. Its overall length is about 8% of the standard Cry Baby, making it not as small as the Mini, and it offers a comfortable pedal feel. It fits perfectly across the board, and thanks to a collaborative design with Pedaltrain, it fits perfectly on popular pedalboards. Special edition cases are also available in black and white, making it a popular choice for those who want a stylish look. - Three types of wah voicing
The Junior features a three-position voicing switch that lets you choose between three wah frequency characteristics with the same feel. High (H) offers the same modern effect as the current GCB3, Mid (M) emphasizes the midrange like the classic Cry Baby, and Low (L) offers a darker, deeper wah sound, giving you the flexibility to switch between them depending on the situation. And of course, true bypass means you don't have to worry about sound loss.
The Cry Baby Junior was created to solve the problem of "The mini is too small, but the regular size won't fit on the board..."
Apart from its size, it also boasts a wide range of other features, including the ability to choose from three wah tones, making it a truly "medium-sized" pedal.
Positive reviews
- The Mini is hard to pedal, and the regular Cry Baby takes up too much space... This was perfect for me. The pedaling feels natural and it fits neatly on the board, so I'm very happy with it.
- The three internal modes are very practical. The sound changes clearly from a mild vintage sound to a modern style, so you can have a lot of fun with just one unit.
- I purchased the white model. Its stylish appearance satisfies my desire to own it. Its design hits just the right spot in terms of functionality and size, giving me the impression that it's the ideal wah that I've always wanted.
Negative reviews
- Although it is smaller than the regular size, it does not take up as much space as the mini, so depending on your board, you may find yourself needing just a few centimetres more. Be sure to check the dimensions of your board.
- The price is a little higher than the standard Cry Baby, so some people have expressed hesitation, saying that if they have the space, they could consider buying the standard model plus other effects pedals.
Pochip
CBM95 Cry Baby Mini Wah
- Even in its tiny size, it's a real treat
The CBM95 is a Cry Baby pedal that's small and lightweight enough to fit in the palm of your hand. Though it's only half the size, its sturdy metal body is simple and lacks knobs. While the small size makes the amount of sweep (depression angle) a concern, the range of motion is designed to be the same as a full-size pedal, allowing for seamless operation. This authentic mini-wah pedal fulfills the desire to add a wah to a pedal board that doesn't have enough space. - 3 voicings with internal switch
Removing the back plate reveals a three-switch selection, allowing you to choose between three wah characteristics: Low, Vintage, and Standard. Standard offers a modern sound equivalent to the current GCB3, Vintage is more mid-low range-oriented, reminiscent of the classic Cry Baby, and Low is a darker tone with even more emphasis on the low end. You can set it to suit your song or amp, making this a versatile unit that's more versatile than its size suggests.
One might think, "Because it's mini, the sound quality must be compromised," but in reality, it has received high praise for producing sound that is surprisingly close to that of conventional models.
The red FASEL inductors provide a particularly solid core to the sound, and the True Bypass setting ensures that the original sound is clear even when the pedal is disconnected. This is a reliable model that excels in portability and practicality, and may be small but should not be underestimated.
Positive reviews
- When I stepped on it for the first time, I was surprised by the authentic Cry Baby sound, which I couldn't imagine from its small size. If you listen carefully, you might hear a slight difference, but it's just as good when used in a band.
- Since most of my pedal boards are miniature, this compact design is a real lifesaver. It perfectly resolves the trade-off between sound quality and space.
- The internal mode switch lets you choose your preferred wah, which is a nice little feature. Vintage mode gives it a thick, sweet sound, which I love.
Negative reviews
- The pedals were too small for me, who has big feet, so it was difficult to operate... Once you get used to it, it's fine, but at first you might have trouble deciding which pedal to press.
- The bottom switch requires you to open the back with a tool, so you can't easily change it mid-song. That's unavoidable, but it might be a bit of a hassle for people who want to switch it frequently.
Pochip
GCB65 Cry Baby Custom Badass Dual-Inductor
- Switch between two types of inductors
This is a Cry Baby equipped with two unusual inductors (coils). The Halo inductor used in vintage wahs and the FASEL inductor used in the current Cry Baby can be instantly switched between these two types with a foot switch.Vintage throaty voice and modern Cry Baby tone in oneIt's a luxurious design that lets you easily switch between them. You can also change the tone by switching pedals mid-song. - Fine frequency adjustment is also possible
The pedal features separate fine-tuning trim knobs on the side for the Halo inductor and the FASEL inductor, allowing for fine tuning of the frequency range. You can pre-set up your preferred "Halo sound" or "FASEL sound," and then switch between the two worlds while playing. And of course, the true bypass eliminates any worry about sound quality degradation.
Living up to its name, "Custom Badass Wah," this pedal will tickle the hearts of wah-wah enthusiasts. It's truly exhilarating to see the character change so dramatically with the flip of a switch.
Although it is expensive, it is popular with core fans as it meets the needs of both vintage and modern fans.
Positive reviews
- Being able to switch between Halo and Fasel with the push of a button is like a dream! I'm amazed at how I can use different tones without having to switch pedals, such as Halo for old funk songs and Fasel for hard rock.
- The sound quality is also professional, with the Halo having a definite muffled, mellow sound, while the Fasel has a bold, clear tone and distinct character. It's more space-saving and convenient than having two wahs lined up side by side.
- It's built solidly and seems like it can withstand some rough handling. It's expensive, but you can feel the quality. It's a must-have for pedal enthusiasts.
Negative reviews
- Like other high-end Cry Baby models, it is expensive, so it is not recommended for everyone. If you ask, "Why not start with the regular model?", you might be right.
- While there is certainly a difference in tone due to the difference in inductor, some say that the difference is slight within a band. For those who want to use wah simply rather than fine-tune it, this may be overkill.
Pochip
DD95FW Cry Baby Daredevil Fuzz Wah
- The world's first! Wah with built-in fuzz
This unusual model boasts a built-in fuzz effect. It's an ambitious attempt to recreate the thunderous sound Jimi Hendrix created with the "fuzz + wah" combination in a single pedal. A mini switch on the pedal lets you turn the fuzz circuit on and off, allowing you to use the wah and fuzz simultaneously or independently. The built-in fuzz produces a thick, classic Fuzz Face-style distortion, and when combined with the wah, it creates a truly intense, wailing sound. - Internal trim for fuzz adjustment
Opening the back of the pedal reveals knobs for adjusting the fuzz gain (distortion level) and output level. This allows you to set up the fuzz volume balance and intensity to your liking. By adjusting the interplay between the wah effect and fuzz, you can create not only a roaring sound but also a practical lead tone.
As the name "Daredevil" suggests, this is a masterpiece with an aggressive concept. When you actually use it, the intense character it produces when you step on the fuzz and wah simultaneously is one of a kind.
However, the increased number of on/off switches and internal adjustments makes the setup a little more complicated. However, this is a must-have for those who want to create intense effects like psychedelic leads or 70s hard rock.
Positive reviews
- When I first played it, I laughed at the incredible sound. The synergistic effect of the fuzz and wah makes the guitar scream like no other pedal can.
- It's nice to be able to reduce the number of pedals on your effects board. You don't have to worry about rearranging things like fuzz and wah, so it's also beneficial for those who like simplicity.
- The built-in fuzz sound is surprisingly easy to use, like a fuzz face. By adjusting the distortion with the guitar volume control and internal trim, you can create a lead tone that is both intense and clear.
Negative reviews
- To be honest, this may be a pretty niche use case. Unless you're someone who regularly uses fuzz and wah, it may be a waste of a valuable tool. In terms of versatility, other models are probably better.
- The price is a bit high due to the inclusion of a fuzz circuit. It also seems to be slightly heavier than the standard Cry Baby. It's a tough decision to make between functionality and ease of use.
Pochip
105Q Cry Baby Bass Wah
- Designed to preserve bass
The 105Q, a dedicated wah pedal long awaited by bassists, features a unique design that applies wah only to the mid- and high-frequency ranges while leaving the low frequencies intact. This creates a powerful wah sound without losing the bass that forms the foundation of the bass. It's a powerful addition to funk and solo bass playing, and has been used by renowned bassists such as Flea of the Red Hot Chili Peppers. Its eye-catching white body also makes it stand out. - Enhanced bass features
The 105Q uses an auto-return system (similar to the 95Q) that automatically turns the pedal on when you step on it, making it easy to apply the effect at the right time. Furthermore, the side knobs allow you to adjust the effect strength (Q) and volume boost, allowing for precise setup to avoid muffled sounds even on low open strings like a 5-string bass. This is truly a unit that meets the needs of bassists.
Its sound has been praised as being "big and groovy the moment you step on it," and it really brings out bass solos that tend to get lost in the band. Its deep, thick range is also a feature, so much so that some guitarists use it in downtuning.
When it comes to bass wah, the 105Q is the standard, both now and in the past.
Positive reviews
- The bass remains strong, so it's great that the bass doesn't lose its presence even when playing in a band. Just by stepping on it, you can create a funky groove, which is great.
- The auto on/off is also convenient for bass. It makes it easy to quickly add wah to a phrase and then immediately return to normal. It feels great to be able to turn the effect on and off while keeping the rhythm going.
- I also tried it on guitar and was surprised at the super thick wah sound it produced. When used on drop-tuned riffs, it creates a truly powerful and powerful sound.
Negative reviews
- This can be said for effects pedals in general, but bass effects pedals are used less frequently than guitar effects pedals, so it may be hard to see the value in cost. They're positioned as "you don't need them, but it's fun to have them."
- It took a little getting used to the sensitivity of the auto-on function. At first, it would sometimes turn on and off unintentionally, so you had to learn how to press it.
Pochip
CBM105Q Cry Baby Bass Mini Wah
- Compact size with the same performance
The CBM105Q condenses the 105Q Bass Wah concept into half the size. Its lightweight aluminum body makes it easy to fit into the gaps in your pedalboard. Its range of motion is on par with a full-size model, and it also inherits the basic functions of bass keep and auto-return from the 105Q. It's a great choice for today's bassists, who need compact equipment for small stages or other situations. - Variable Q and volume inherited
Even though it's small, it's equipped with a Q adjustment knob and a volume adjustment knob on the side. The range of sound creation is the same as the full-size 105Q. The performance dispels concerns that "the bass will be thin if I go with the Mini," and some people say that unnecessary spatial resonance is reduced, making the sound sound clearer.
The CBM105Q is a response to the concerns of 105Q users who said, "The functionality is perfect, but the size is..." This compact size is particularly appealing, as bass effects pedals tend to have limited board space.
The sound quality is comparable to that of a regular bass wah, and it is well-known for its maneuverability.
Positive reviews
- The sound and functionality are almost the same as the 105Q, but the size is half. It's easier to carry around and can be used without stress even in small live music venues.
- It's small, but it still produces a solid bass sound. You can add just the wah effect while maintaining the band's sound pressure, so it's a truly satisfying item.
- I can use it with a 5-string bass without any problems. Even though it's a Mini, the range is wide enough that the unnecessary low frequencies don't have any wah effect, which actually makes the sound cleaner.
Negative reviews
- The pedal surface is small, so depending on your shoe size, it may be difficult to operate. The bass is in the rhythm section, so you have to be careful not to step on the wrong pedal.
- The price is not much different from the 105Q (in fact, it is even more expensive), so some people say, "If size isn't an issue, the 105Q is fine." It is definitely an option if space is your priority.
Pochip
QZ1 Cry Baby Q Zone (fixed wah)
- Compact effector type
As an extra, I'd like to introduce the QZ1 "Q Zone." It's not a pedal, but a fixed wah effect pedal that's set with a knob. This pedal creates a fixed wah pedal state (known as a "stop wah"), allowing you to create sounds with a strong mid-range filter effect. It's easy to recreate the technique used by guitarists Michael Schenker and Dimebag Darrell, who would lock the wah pedal in the middle during solos to create a distinctive, nasal sound. - Fine filter adjustment
The QZ1 itself has three knobs: Frequency, Q, and Gain, and is designed as a filter with a boost. This allows for extreme mid-boost effects that are difficult to achieve with a regular wah, as well as targeted tone shaping. While it may have a niche role as a "non-variable wah," mastering it can produce some very distinctive tones.
The QZ1 is not recommended for everyone because it has a specific purpose, but it is perfect for those who like the sound of a constant half-press wah or who want to emphasize a specific frequency range to make their solos stand out.
Since there is no need to step on the pedal, it also has the advantage of allowing for highly reproducible settings.
Positive reviews
- I was thrilled to be able to get that Schenker-esque seagull-like tone! It's difficult to achieve that with a regular wah by fine-tuning it with your foot, so I'm grateful that I can recreate it just by turning the knob.
- I find it very useful as an EQ to boost the mid-range for solos. It's actually quite handy as a filter with a boost, and can create a frequency range that really hits you right in the ears.
- Since you don't need to step on it, you get a stable effect. Even during live performances, you can rest assured that as long as you memorize the knob position, you'll always get the same effect.
Negative reviews
- Since you can't control the effect by stepping on it like you can with a regular wah, some people feel like they want to express it with their feet. I think a fixed wah is an effect that's not for everyone.
- Some people say that it has limited uses and is rarely used. If you only use it a few times during a band's songs, you might feel it's a waste of space on the board.
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Cry Baby | Signature Series (Professional Artist Model)
JH-1D Jimi Hendrix™ Signature Wah
- Recreate the legendary tone of Jimi Hendrix
This model brings back to life the wah sound essential to Jimi Hendrix's legendary performances. Based on the wah circuit he used in the late '60s, it delivers a deep, throaty, and emotional tone. The wow-inducing wah from his signature songs "Voodoo Child (Slight Return)" and "Little Miss Lover" will roar right at your feet. - Old-style appearance and specifications
The die-cast aluminum housing and vintage-style exterior finish evoke the atmosphere of the late 1960s. The circuitry has been kept as original as possible, without the addition of unnecessary electronic components, resulting in a somewhat noisy yet raw expressiveness that is appealing. Those accustomed to modern Cry Babys may find it "strong," but that's precisely the flavor of its legendary sound.
This pedal will not only appeal to Jimi Hendrix fans, but will also make them realize that classic wahs can be so expressive.
It doesn't have any flashy or convenient features, but the more you play it, the more it responds to the player's expressiveness.
Positive reviews
- Just one note gave me goosebumps and I thought, "Ah, this is that Jimi Hendrix sound!" I fell in love with the deep, emotional tone that's clearly different from current commercially available wahs.
- The unpainted look is also cool and sophisticated. It's a must-have item for fans, great for both stepping on and displaying.
- Compared to modern wahs, the highs aren't as harsh and the bass is thick. It sounds amazing when distorted with a single-coil Strat. It makes you want to emulate Jimi's playing style.
Negative reviews
- Compared to the current Cry Baby, the volume changes and noise seem a little louder. It does have a vintage feel, but it takes some getting used to.
- Some say that the variable range is a little narrow and it's not suitable for modern songs. You have to accept it as a machine dedicated to Jimi Hendrix.
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EVH95 Eddie Van Halen Signature Wah
- "Holy Grail" Wah Reissue
This legendary wah was used by Eddie Van Halen in the '90s and was nicknamed the "Holy Grail Wah." The EVH1 was developed based on that sound. It features the distinctive high-Q sound in the high frequencies that EVH sought, along with a well-defined effect, resulting in a sharp, clear wah that doesn't get lost even in fast-playing phrases. - Flashy looks and solid construction
The exterior features a special edition design featuring EVH's signature black and yellow stripes. A blue LED is embedded in the toe, illuminating the pedal when turned on for a truly stunning stage presence. Inside, a high-Q inductor and custom circuitry are installed to meet EVH's specifications, while true hard-wired bypass ensures crystal-clear sound. Every detail is of the highest quality.
The EVH95 is perfect for anyone looking for the vibrant wah sound of 80s and 90s hard rock. It delivers the distinctive, powerful wah sound heard in the intros to Eddie's classics "Mean Street" and "Unchained."
Positive reviews
- Not only does it bring you closer to Eddie's own tone, but even when you step on it normally, it produces a sharp sound that sets it apart from other wahs. The highs are piercing and make solos feel great!
- It has a big visual impact. It stands out on stage and will draw attention. It's a joy to own.
- The sound is excellent, and the wah effect is clearly audible even over heavy distortion. It doesn't get muddied even with fast phrases, so it's great for technical players.
Negative reviews
- The sound is quite bright and flashy, so it may not be suitable for somber or clean songs. It seems to be a machine that is completely dedicated to rock/metal.
- Some people shy away from these because they are more expensive than regular products and the EVH pattern is a design that divides tastes. It's great for those who like it, but it might be a bit too flashy for those who don't like it.
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SC95 Slash Cry Baby Classic
- The warm, thick wah that Slash demanded
This is the signature wah of Slash, the guitarist best known for his work with Guns N' Roses. Slash prefers a warmer sound focused on a slightly lower frequency range than the traditional Cry Baby, and this model's range is tuned downward to achieve a thicker, more viscous tone. It features a singing wah sound that emphasizes mid-range richness rather than flashiness. - Vintage look and LED
The design is cool, with a distressed black body and hot-rod-style red lettering. It also features blue LEDs on the toe and heel, allowing you to see the effect's on/off status at a glance. And of course, it's True Bypass, making it extremely practical for stage use.
The SC95 was designed by Slash himself as a "practical wah that can be used on stage," so its durability and operability are impeccable.
Its slightly darker, throatier sound than the standard Cry Baby makes it stand out in hard rock and blues rock leads.
Positive reviews
- This wah has a richer, lower-pitched sound than the regular Cry Baby! It produces a lustrous tone like the solo in "Sweet Child O'Mine" that's so satisfying.
- The LED indicator is really convenient. I no longer have to worry about forgetting to turn it off during a live performance. It also looks cool, so I'm very happy with it.
- The pedal feels great and has a good volume balance, giving it a truly professional feel. The sound doesn't get too wild even when you press hard, and it's easy to control, which speaks to its high quality.
Negative reviews
- The sound is mellower than the standard Cry Baby, so it may not be enough for people who want a more cutting wah. It's not suitable for sharp funk.
- It's understandable that it's a processed paint job, but people's opinions on the appearance are divided. Some people were surprised, saying, "It's brand new, yet it's covered in scratches?"
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SW95 Slash Signature Wah (w/ Distortion)
- Built-in distortion for instant lead tones
Another Slash signature pedal is the SW95 model with built-in distortion. This model combines a wah circuit with Slash's preferred distortion circuit, and the distortion can be turned on/off with a switch on the side of the pedal. Simply step on the clean pedal, then the wah solo pedal, and then turn on the distortion to create a high-gain wah solo sound with just one foot. The sound can also be shaped with two knobs: gain and volume. - Stage-worthy design
The SW95 also features a cool design, with a red slash logo set against a black casing. It also features LEDs that illuminate blue and red when the wah and distortion effects are on, respectively. Even on a darkened stage, the status of both effects can be checked at a glance, making it ideal for live performances.
With just this one pedal, you can smoothly transition from clean backing to distorted solos. It's the perfect convenient model for guitarists like Slash who frequently switch between clean and distorted solos within a song.
Positive reviews
- Being able to use both wah and distortion at the same time is more convenient than I imagined! This one pedal can be used for everything from backing to solos, so it has simplified my footwork.
- The built-in distortion is also excellent, with a Marshall-style persistent gain that's comfortable. It pairs perfectly with the wah, producing a lead tone straight out of Slash.
- The double LEDs provide excellent visibility. You'll never forget to turn off an effect, giving you peace of mind. I think this is a great product that hits the spot in terms of both sound and functionality.
Negative reviews
- The pedal itself is rather large and heavy, so it takes up a lot of space on your board. It also has a lot of internal circuitry, which makes it more expensive.
- The sound quality of distortion is a matter of personal preference. If you already have a favorite overdrive/distortion effect, you might find that a regular wah sound combined with the distortion effect you already have is enough.
Pochip
KH95 Kirk Hammett Signature Wah
- Kirk Hammett's foot rack tone
Metallica's lead guitarist, Kirk Hammett, is known for his love of wah pedals. The KH95 recreates the sound of the custom wah pedal built into his live performance rack. It features an exquisite frequency setting that doesn't become harsh even when fully depressed, a smooth sweep, and is tuned to deliver consistent effect from fast playing to intense solos. - A frightening appearance
With a matte black body, green vein-like lines, and a skeletal footprint design on the footboard, it's instantly recognizable as a Kirk model. It looks great on stage and will inspire fans to own one. The true bypass design ensures excellent sound quality.
The KH95's greatest appeal is that it works evenly from high to low frequencies to support Kirk's wild guitar solos.
The sound doesn't thin out even with rapid, rapid wah hits, making it reliable enough to withstand intense metal songs.
Positive reviews
- I'm happy that the high notes don't get too shrill when you step on it. It has a wah-like feel that doesn't hurt your ears even when you step on it for a long time, so you won't get tired of listening to it even if you step on it for a long time.
- First of all, it looks awesome! The skull footprint tickles the metal heart. I get excited every time I step on it at a live show.
- I thought the difference from the regular Cry Baby was subtle, but it certainly has a consistent effect and is easy to use. The wah follows smoothly and without any hitches, even in rapid solos.
Negative reviews
- It's expensive and the appearance is a matter of personal preference, so some people may be put off by it. Some people have said that "performance-wise, it seems like a standard model with EQ would be a good substitute."
- There's not a dramatic difference in sound, so some say it's not a high priority unless you're a Kirk fan. It's definitely geared towards metal.
Pochip
JB95 Joe Bonamassa Signature Wah
- Joe Bonamassa's vintage-oriented
Young blues master Joe Bonamassa's signature wah pedal is an evolution of the classic Cry Baby. Its greatest feature is its HALO inductor, which produces a rounded, firm sound reminiscent of the '60s Clyde McCoy sound. In addition, with a wide wah range and deep, vocal-like growl, perfectly suited to Joe's tastes, this is a truly sophisticated wah pedal for blues. - Luxurious exterior and practicality
The aluminum housing features a luxurious matte black finish and a copper top plate. Not only does it look stylish, but it also features an internal output buffer, ensuring consistent sound quality regardless of the order of the effects chain. It also includes a built-in switch for switching between true bypass and non-true bypass, allowing you to customize the setup to suit your environment.
The JB95 is a car that can be described as a fusion of tradition and modernity.
This is the perfect partner for anyone who wants to enjoy Bonamassa's thick, lustrous lead tone at home.
Positive reviews
- The sound is simply thick and rich! Whether clean or distorted, the moment you step on it, you get a vocal sound that is reminiscent of blues. Its richness sets it apart from other Cry Baby pedals.
- It looks incredibly cool. It's fun to watch the copper plate change over time, and it feels like it's part of the instrument.
- Thanks to the output buffer, there is little noise regardless of the pedal position, and the sound doesn't get thin no matter where you connect it, which is quite convenient. It feels like it's for professional use.
Negative reviews
- For better or worse, it's mild and dark, so it's not suited to funk or other genres that require sharpness. I think it's a pedal that's best for certain genres.
- It is one of the more expensive signature models, so you may be hesitant to ask yourself, "Do I like Bonamassa?" or "Do I really need this sound?"
Pochip
GCJ95 Gary Clark Jr. Signature Wah
- Soulful bass-oriented design
This model by Gary Clark Jr., a leading figure in the modern blues scene, is tuned to a lower frequency range than usual. This produces a smooth, warm wah sound that's perfect for clean to crunchy blues and soul phrases. The sweep range is also tight, ensuring that even subtle rhythmic inputs don't become excessive or lose their groove. - Copper-finished body and flavor
The GCJ95 features a brushed copper finish housing, selected by Gary himself. The surface oxidizes with use, developing a unique patina. Its sophisticated appearance exudes a vintage feel, just like Gary's musical style.
The Gary Clark Jr. model isn't flashy, but it's perfect for guitarists looking for a bluesy, mellow wah effect.
The funk-oriented cutting, incorporating chromatic scales, is not obtrusive, yet still has a presence that will appeal to connoisseurs.
Positive reviews
- The sound is round and very musical. It's not harsh, but has a gentle, weeping wah, and it feels amazing when played with a clean tone.
- The copper body has a very sophisticated look. You'll grow to love it as it ages and takes on a unique color. It also makes a great interior accessory.
- The narrow sweep makes it easy to use while tapping out rhythms. It's great for adding a little groove to a funky 16 beat.
Negative reviews
- Because it has a low range, it can get lost in high-gain solos. It's best suited to crunch to clean sounds, so it's not ideal for metal.
- When it was first released, there were few distribution outlets in Japan, and some people said it was difficult to get hold of (it is now available). The price is also above mid-range, so you might not be able to try it out on a whim.
Pochip
JP95 John Petrucci Signature Wah
- Ultra-wideband & precisely adjustable monster wah
John Petrucci of progressive metal legend Dream Theater sought a pedal with a wider range and more precise sound shaping than a typical wah pedal. The JP95 answered that request, covering an astounding frequency range of 100Hz to 3.2kHz, it can handle everything from heavy 7-string bass riffs to shimmering high-pitched solos. It also features an internal 6-band EQ and internal trims for Q and volume. The pedal allows you to complete the sound shaping that John himself used to do in his rack. - Smoked chrome luxury
The enclosure features a smoked chrome finish, creating a luxurious appearance that shimmers with rainbow colors depending on the viewing angle. The Petrucci logo is also included, satisfying the desire to own it. Of course, true hard-wired bypass eliminates signal degradation. These specs make this the ultimate Cry Baby.
The JP95 is highly adjustable, making it a popular choice among professional guitarists. It's especially useful for those looking for a wah that works on the low end with a 7-string or drop tuning.
The internal EQ allows you to create your own custom wah sound, making it a favorite among technical players who are particular about their equipment.
Positive reviews
- The wah effect is incredibly deep down into the bass, so even the low B on the 7th string is filtered. I was impressed by the rich sound effect it produced, something that other wahs just can't produce.
- The internal 6-band EQ allows you to create amazing tones. You can adjust it to the same level as a studio rack, so you can literally create your own wah.
- The look and feel of this guitar are superb. It's also sturdy and seems like it could easily withstand professional use. Even if you're not a Petrucci fan, it's well-made and worth trying out.
Negative reviews
- It's expensive and requires a lot of adjustments, so it's completely overkill for beginners. It could end up being a waste of a valuable tool, so be careful.
- If you start getting into the 6-band EQ and other adjustments, there's no end to it, so you run the risk of getting bogged down in settings... If you're an obsessive person, you need to be careful not to get too carried away, otherwise you might end up neglecting your performance.
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JC95/JC95FFS Jerry Cantrell Signature Wah
- Jerry Cantrell's dark expression
The Alice in Chains guitarist Jerry Cantrell model pursues the dark, heavy tone he favors. The tone is darker than usual, and the low frequencies remain strong even when you step on the wah pedal, so you won't feel weak even when using it on heavy riffs. The internal trim also allows you to adjust the maximum variable range of the wah, allowing you to fine-tune the response to suit your playing style. - Antique brass finish
The original JC95 features a brass casing with an oxidized brass finish, giving it a sophisticated look. Its dignified appearance, as if it's been used for years, matches the rugged atmosphere of grunge and heavy rock. Furthermore, in 2022, a limited edition JC95FFS was released, featuring a built-in orange LED that glows like a firefly, in reference to Cantrell's nickname, "Firefly."
The JC95 series is a rich, mushy wah, so it's not suitable for bright, funky sounds, but it has an outstanding presence in downer, heavy tunes.
If you play a riff while slowly pressing the pedal like Jerry, you can create a unique world view that is both creepy and cool.
Positive reviews
- The sound when you step on it is so dark and heavy! Even riffs that would sound hollow with a regular wah pedal can be played with confidence with this pedal because the bass remains.
- It has an antique look and is extremely sophisticated. It's a pedal that looks great every time you step on it on stage. The more you use it, the more it will develop its own character.
- As an AIC fan, I'm pleased to say that it perfectly recreates the "Man in the Box" wah sound. Slowly pressing the pedal creates a mysterious atmosphere.
Negative reviews
- The sound is a bit muffled compared to the standard Cry Baby, so opinions vary. Some people feel that the sound is not clear.
- Some say that this tone is only suitable for certain songs, so it's best to use it in limited situations. It's best to understand that it's not an all-purpose sound, but still get it.
Pochip
ZW45/WA45 Zakk Wylde Signature Wah
- Heavy Tones Directly Taught by Zakk Wylde
Zakk Wylde, known for his work with the Ozzy Osbourne band, and others, has a distinctively thick, aggressive wah sound. From the ZW45 (old model) to the 2021 Wylde Audio-branded WA45, the basic concept has been a thick sound that accentuates heavy riffs and picking harmonics. While the frequency range is wide from low to high, it's particularly rich in the low to mid range, providing a powerful presence that stands out even with drop-tuned guitars. - Rugged and rugged design
The ZW45 features a rough, unpainted metal housing and the WA45 features Zac's iconic bullseye-patterned tread pads. The sturdy construction, featuring large pots and reinforced switches, makes it durable enough to withstand heavy footwork.
The Zack model wah is loud and tough, and it really shines when you play it hard with high gain and directly connected to an amp.
In particular, when you combine Zack's signature pitch harmonics (that "wheeeeeen" sound) with a wah, you get a powerful roar that really gets you in the hips.
Positive reviews
- It has a bold, thick sound that's a little different from other wahs! When you use it on a down-tuned riff, it's electrifying like an earthquake.
- The bullseye design (WA45) is cool. It's a design that backpack lovers will love, and it's reassuring to know that it's sturdy and durable.
- It's reliable enough that you can play roughly without worrying too much about the details and still get a cool sound. It's perfect for the roughness of metal.
Negative reviews
- The sound is more focused on thickness than flashiness, so it doesn't cut through clean, thumping funk. It's hard to deny that it's genre-specific.
- It's large and heavy, making it a little inconvenient to carry and position. This is a trade-off made for prioritizing sound and design.
Pochip
BG95 Buddy Guy Signature Wah
- Buddy Guy's bell-like voice
Chicago blues legend Buddy Guy's signature wah pedal is known for its sweet, singing tone. Equipped with a FASEL inductor, it offers two voicing modes: "BG Mode," a clear, bell-like wah sound, and "DEEP Mode," a deep, thick, growling sound. These switchable modes allow you to recreate the wah sounds that defined Buddy Guy's diverse expressive range. - Polka dots and a unique presence
Buddy Guy is known for his trademark polka dot shirts, and this pedal is also finished with a white polka dot finish on a black background. Its eye-catching appearance on stage will surely catch the attention of blues fans. Of course, the pedal is True Bypass, ensuring a clear sound.
The BG95 is perfect for guitarists who enjoy the mellow blues. The sweet high range and deep, powerful modes that are characteristic of FASEL are both perfectly suited to the emotional expression of blues music.
Playing the classic song "Damn Right, I've Got the Blues" is sure to double the atmosphere.
Positive reviews
- The resonant wah sound in BG mode is beautiful like nothing I've heard anywhere else! Even when applied lightly to cutting, it sparkles and feels great.
- Conversely, switching to DEEP mode transforms it into an extremely thick and dirty sound. This duality is fun as it supports the diverse expressions of blues.
- I also love the cute polka dots. When I step on it on stage at a blues bar, people say, "Oh, it's Buddy Guy," which makes me happy.
Negative reviews
- It has a sharp, high-pitched sound, so it might not be suited to heavy rock. I think it's best suited to blues and clean tones.
- It was difficult to obtain for a time due to the limited number of units distributed in Japan. It is also quite expensive, so it seems to be a model for enthusiastic fans.
Pochip
Summary | Which Cry Baby will make your baby cry?
- What's your first pedal? We recommend the **Standard Model (GCB1) or Classic (GCB95F)**. They're reasonably priced and offer a classic tone that suits a variety of genres. They're perfect for experiencing the "famous wah sound."
- Want to create a wide variety of sounds? A model with variable functions like the 535Q is a good choice. Range switching and Q control let you fine-tune it to your preferences. Perfect for those who want to try out a variety of wah sounds with just one unit.
- Are you short on space on your pedalboard? Smaller models like the Cry Baby Mini (CBM95) or Junior (CBJ95) are convenient. They offer great sound quality while saving space. They're also ideal for those who prioritize portability.
- Do you have a specific sound or aspirations? If you have a favorite guitarist, it's definitely worth considering their signature model. You can get a tone close to the sound of Jimi Hendrix, Slash, Petrucci, and others, and it'll satisfy your fandom. However, many are on the pricey side, so make sure you really need that sound before making your choice.
- Want to use it with bass? The 105Q Bass Wah series is the obvious choice. Using a guitar wah will eliminate the bass, but the 105Q handles that perfectly. There are also mini versions available, so you can choose the one that best suits your needs.
The Cry Baby series is a trusted brand with a history of over half a century. No matter which model you choose, you can be sure of guaranteed quality and it will add a new dimension to your musical expression.
Please use the comparisons and explanations in this article as a reference to find the model that best suits you.
\ Going to meet Sound House's sister /
An older sister I often seePlease use Sound House again next time.
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